About Your Instructor

Your instructor leverages two decades of industry experience, having facilitated successful release cycles for emerging and established acts, and now demonstrates evidence-based strategies that enable artists to convert audience attention into sustained financial growth.

Dave Jloopz is a renowned keyboardist, music coach, producer, and music director who has worked with well-known musicians, including the Vodafone Ghana Music Awards winner Joe Mettle. He has also worked with other international artistes like Juanita Bynum, Pastor Noel Jones, Uche Agu, Dr. Tumi, and played at numerous high profile Gospel concerts.

Dave Jloopz was born to a guitarist father and a singer mother. Jloopz, in no time, displayed a strong affinity with music, playing keyboards from the age of 10 in the heart of Accra, the capital of Ghana in West Africa.

He has produced loads of albums to his credit, and received several nominations for his outstanding works, including Instrumental artiste of Excellence (Africa Gospel Music and Media Awards, AGMMA UK, 2017,2018). Jloopz is also the founder and president of Africa’s formidable singing Band, Overflow Inc. In addition, he works as an international music speaker and consultant for many churches, choirs, and groups around the world.

A joyful man in a bright blue suit, white shirt, and a dark blue tie with red polka dots pointing, sitting against a plain gray background.

Frequently Asked Questions

  • Participants receive lifetime access, enabling continuous reference to video lessons, downloadable templates, and supplemental updates without incurring additional fees.

  • Yes, the syllabus integrates comprehensive modules on social media advertising, email list management, and data analytics, complemented by sessions on venue outreach and tour scheduling.

  • The content accommodates beginners while still challenging intermediate practitioners, providing structured introductions before advancing to analytical tools and optimization methodologies.

  • All frameworks remain genre-agnostic and scalable, allowing solo performers to implement the same audience development tactics with proportional resource allocation.